Recording
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Solid State Logic XLogic SuperAnalogue Channel Strip |
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The XLogic Channel features identical DC-coupled SuperAnalogue processing to the legendary XL 9000 K Series console from which it is derived. This provides a bandwidth greater than 192 kHz recorders and a dynamic range well beyond that of 24 bit A/D converters. This makes it the perfect accompaniment to any high quality recording equipment. CLICK HERE TO BUY Solid State Logic |
SM Pro Audio ADAT Lightpipe Output for PR8MKII |
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With the addition of this ADAT lightpipe output, the SM PR8 MKII seamlessly fits into countless digital audio workstation configurations. CLICK HERE TO BUY SM Pro Audio |
SM Pro Audio M-Patch 2 Monitor Control Station |
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The M-Patch 2 is a compact desktop/rack-mountable sized passive volume attenuator and patch control device. Building on the success of the original M-Patch, the new M-Patch 2 is a feature packed passive problem solver for nearly all production environments. CLICK HERE TO BUY SM Pro Audio |
SM Pro Audio The Mic Thing Microphone Isolator |
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The Mic Thing is a portable multi-purpose acoustic treatment panel suitable for minimizing room artifacts and improving separation during microphone recording sessions. Great for a range of applications including helping to control room ambience, minimizing spill from instrument amplifiers, or even creating temporary control rooms the Mic Thing is certainly one handy thing! CLICK HERE TO BUY SM Pro Audio |
SM Pro Audio OC8 8-Channel Optical Compressor |
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The OC8 is a 2U standard 19 in. rack-mount multi-channel optical compressor that builds on the success of the SM Pro Audio analog series products. With eight discrete high-quality optical compressors, the OC8 seamlessly fits into many audio workstation configurations. It features 8 x optical compressors in a simple to operate 2 unit rackmount device. CLICK HERE TO BUY SM Pro Audio |
SM Pro Audio PM8 8-Channel Passive Summing Mixer |
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Using high quality components, the PM-8 merges up to 8 analog channels into a clean and clear stereo pair, with all the sonic depth and dynamics intact. If your software is not cutting it, just use it for what it’s best at – multi-tracking! Leave the merging of the final stereo mix to the PM-8. And if you need more channels – just hook up another PM-8! As with all passive mixing devices, passively attenuating the signals will lead to a drop in the main mix output level. The PM8 offers a transparant active gain make-up stage (this requires the unit to be connected to mains power). If you do not need the make-up gain, or would like to use your own external make-up gain unit/preamplifer, you do not need to connect mains power to the PM8. The audio path will remain fully passive from input to output. CLICK HERE TO BUY SM Pro Audio |
SM Pro Audio PR4V 4-Channel Microphone Preamp |
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The market size for digital audio interfaces and computer based digital editing has increased in a massive way. With systems available at very low prices, more and more users are utilizing this technology. One of the main problems with many of these systems is the input stage only consisting of unbalanced line inputs or very low (or no mic pre) gain structure for the balanced input stage and the unavailability of Phantom power. CLICK HERE TO BUY SM Pro Audio |
SM Pro Audio PR8E 8-Channel Microphone Preamp |
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The new PR8-E multi-channel mic/line preamp is the vanguard of the "next-generation" in the SMPRO range. Using the latest components available and redesigned from the ground up, the PR8-E's carefully structured single circuit board design results is an exceptionally low noise pre-amp boasting a very high gain structure. CLICK HERE TO BUY SM Pro Audio |
SM Pro Audio PR8 MKII 8-Channel Microphone Preamp with Phantom Power |
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The SM PR8MKII is a 2U standard 19 in. rack-mount multi-channel preamplifier that builds on the success of the popular SM PR8 multi-channel microphone preamp. With 8 discrete high-quality microphone preamps and with the addition of an optional ADAT light pipe output, the SM PR8 MKII seamlessly fits into many digital audio workstation configurations. It also features 8 x analog XLR balanced inputs and outputs for pristine stand-alone operation. CLICK HERE TO BUY SM Pro Audio |
SM Pro Audio PR8 8-Channel Microphone Preamp |
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The market size for digital audio interfaces and computer based digital editing has increased in a massive way. With systems available at very low prices, more and more users are utilizing this technology. One of the main problems with many of these systems is the input stage only consisting of unbalanced line inputs or very low (or no mic pre) gain structure for the balanced input stage and the unavailability of Phantom power. CLICK HERE TO BUY SM Pro Audio |
SM Pro Audio TB202 2-Channel Tube Microphone Preamp/Compressor |
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The new "Red Valve" series TB202 valve (12AX7) mic pre-amp is a twin channel valve mic preamplifier that features independent switchable phantom power, phase reverse, -20dB Pad, optical compressor, and fully functional EQ all housed together in a single 1U rack mount chassis. CLICK HERE TO BUY SM Pro Audio |
Studio Projects B1 Large Diaphragm Condenser Microphone |
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The Studio Projects B1 condenser microphone is a large diaphragm cardioid microphone in a pressure-gradient transducer employing high quality transformerless design and extremely low noise. It will enhance any professional or project studio application at an unbelievable low price. As a result of uncompromising dedication and today's advanced production abilities, Studio Projects has broken the barrier of quality vs price for today's recording studio environment. CLICK HERE TO BUY Studio Projects |
Studio Projects B3 Large Diaphragm Condenser Microphone |
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The new Studio Projects B3 is the ultimate in large diaphragm condenser microphones at this price anywhere. This microphone has all the technical refinements to be an enduring classic. CLICK HERE TO BUY Studio Projects |
Studio Projects C1 Large Diaphragm Condenser Microphone |
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The Studio Projects C1 is a large diaphragm, fixed-cardioid condenser microphone employing a 1.06 in. (27mm) capsule, high quality, low noise amplifier and balanced, transformerless output circuitry. CLICK HERE TO BUY Studio Projects |
Studio Projects C3 Large Diaphragm Condenser Microphone |
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The Studio Projects C3 is a large diaphragm dual membrane condenser microphone employing a 1.35 in. (34.5mm) capsule, high quality, low noise amplifier and balanced, transformerless output circuitry. It features 3 onboard switchable patterns, a -10dB and -20dB pads, and 75Hz and 150Hz high pass filters for added control in all manner of recording situation. The C3 has a precise response and a distinct sought-after sonic characteristic commonly associated with large capsule microphone designs. CLICK HERE TO BUY Studio Projects |
Studio Projects C4 Condenser Microphone |
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The C4 is small diaphragm condenser microphone featuring interchangeable capsules, switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body. The microphone's modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber. CLICK HERE TO BUY Studio Projects |
Studio Projects CS1 Large Diaphram Condenser Cardioid Bottle Microphone |
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The Studio Projects C1 is a large diaphragm, fixed-cardioid condenser microphone employing a 1.06 in. (27 mm) capsule, high quality, low noise amplifier and balanced, transformerless output circuitry. CLICK HERE TO BUY Studio Projects |
Studio Projects CS5 Large Diaphram Condenser Multi-Pattern Bottle Microphone |
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The Studio Projects CS5 is an externally polarized five pattern pressure gradient transducer microphones with FET impedance converter. CLICK HERE TO BUY Studio Projects |