Recording
911 returned - Page 26 of 46
Nady SCM960 Large Diaphragm Studio Microphone |
|
 |
Nady SCM Series offers the superb sound of classic high-end, large-diaphragm studio and broadcast microphones at unparalleled affordability. CLICK HERE TO BUY Nady |
Nady SP3 Microphone |
|
 |
The Nady SP-3 features a powerful neodymium mic element for high output and low noise. It also features an on/off switch and a cardioid pickup pattern. The SP-3's high output makes it a loud mic that's easier to mix because it naturally stands out in the mix — an ideal vocal mic. Mic clip included. CLICK HERE TO BUY Nady |
Nady TRM6 Tube Ribbon Microphone |
|
 |
Combining the unparalleled sound of a classic ribbon mic with the natural warmth and musicality of an internal tube preamp, the TRM-6 sets unique new standards of performance for ribbon (velocity) mics. CLICK HERE TO BUY Nady |
Neumann EA1 Elastic Suspension Shockmount |
|
 |
The EA 1 is designed for the TLM 103, TLM 193, and M 147 Tube microphones. It has a swivel mount with a 5/8" female thread that can be fastened to tripods. Included is a threaded adapter to connect to 1/2" and 3/8" studs. CLICK HERE TO BUY Neumann |
Neumann SG5 Swivel Mount for BCM104 |
|
 |
Swivel mount for BCM 104 and other microphones. On the microphone side it has a 3/8 in. male thread, on the stand side a 5/8 in. -27 female thread, plus a thread adapter to connect to 1/2 in. - and 3/8 in. stands. CLICK HERE TO BUY Neumann |
Peavey PV6 Mixer |
|
 |
The PV Series has long been the benchmark of performance and value in audio, and the new PV mixers live up to this legacy. With the same reference-quality microphone preamps used in Peavey RQ Series mixers -- and an astonishingly low THD (total harmonic distortion) of 0.0007% -- the PV 6 is equally useful in project studios or live/program music mixing situations. CLICK HERE TO BUY Peavey |
Peavey PV8 Mixer |
|
 |
The PV Series has long been the benchmark of performance and value in audio, and the new PV mixers live up to this legacy. With the same reference-quality microphone preamps used in Peavey RQ Series mixers -- and an astonishingly low THD (total harmonic distortion) of 0.0007% -- the PV 8 is equally useful in project studios or live/program music mixing situations. CLICK HERE TO BUY Peavey |
Peavey PVi 2 Microphone |
|
 |
This is a cost-effective microphone that's designed for real world use. CLICK HERE TO BUY Peavey |
Peavey PVM22 Diamond Series Microphone |
|
 |
A great microphone for vocals! The PVM 22 is a dynamic cardioid microphone that incorporates a neodymium magnet, which has greatly increased sensitivity over conventional microphones. CLICK HERE TO BUY Peavey |
Phonic Helix12FW MkII 12-Channel Mixer with FireWire |
|
 |
The Helix Board 12FW MkII sounds great and works hard both in and out of the studio. It features a 96 KHz FireWire interface that lets you individually stream up to 10 independent channels of audio to the computer and return 2 channels to the mixer for monitoring -- all with near-zero latency. CLICK HERE TO BUY Phonic |
Phonic Helix24FW MkII 24-Channel Mixer with FireWire |
|
 |
The Helix Board 24FW MkII sounds great and works hard both in and out of the studio. It features a 96 KHz FireWire interface that lets you individually stream up to 18 independent channels of audio to the computer and return 2 channels to the mixer for monitoring -- all with near-zero latency. CLICK HERE TO BUY Phonic |
Phonic Helix18FW 18-Channel Mixer with FireWire |
|
 |
Helix Board FireWire Mixers allow users to stream up to 18 independent channels of audio, with a near-zero latency at a sampling rate of 96 kHz, as well as 2 additional monitor channels, to any personal computer. The individual tracks can then be digitally recorded, edited, removed, or mixed. This gives 100% control of audio properties to the engineer, and makes the Phonic Helix Board FireWire mixers ideal front ends to any audio workstation. Moreover, every Helix Board FireWire ships with Steinberg's Cubase LE software. CLICK HERE TO BUY Phonic |
PreSonus ACP88 8-Channel Compressor/Gate |
|
 |
Stemming from their popular ACP-8 technology, the ACP88 comprises 8 channels of compression, limiting, and noise gating for a variety of applications. The ACP88 is the highly anticipated replacement for the ACP-8. CLICK HERE TO BUY PreSonus |
PreSonus ADL600 Anthony DeMaria Labs Microphone Preamp |
|
 |
The PreSonus ADL 600 is a high voltage Class A, two channel tube microphone preamplifier designed by world-renown tube circuit designer Anthony DeMaria. The ADL 600 is packed with six high-voltage vacuum tubes (three per channel), military-grade switched attenuators, analog VU and LED metering as well as instrument input, line input and selectable microphone input impedance. The ADL 600 utilizes extremely high voltage power rails (600V peak to peak) delivering 75dB of gain, over 30dB of headroom, and extremely wide frequency range of 5Hz to 80kHz within 0.5dB. The combination of Anthony DeMaria's preamplifier design and PreSonus state-of-the-art manufacturing process achieves a new standard in hand-made, high-voltage tube preamplifiers. CLICK HERE TO BUY PreSonus |
PreSonus BlueTubeDP Stereo Tube Microphone Preamp |
|
 |
The Bluetube dual path stereo microphone/instrument preamplifier delivers the best of both worlds with solid state transparency and tube warmth. Each channel features dual path technology; enabling separate control between a transparent solid state preamp stage and a tube preamp stage, delivering a wide range of sounds from pristine and clear to fat and warm. The Bluetube DP is the perfect front-end microphone/instrument preamp for any digital audio workstation. CLICK HERE TO BUY PreSonus |
PreSonus Central Station Studio Monitor Control Center |
|
 |
The Central Station is the ultimate studio-monitoring interface for the modern digital studio. The Central Station features 3 sets of stereo analog inputs to switch between input sources such as: DAW, mixer, CD/DAT/Tape player, or keyboards/samplers. Two stereo analog inputs feature TRS balanced and the 3rd stereo input features RCA inputs with trim control for level matching of input signals. In addition, the Central Station will accommodate 2 digital inputs via S/PDIF or TOSLINK providing D/A conversion up to 24Bit/192kHz. CLICK HERE TO BUY PreSonus |
PreSonus COMP16 Compressor/Limiter 1/3 Rack Space |
|
 |
The powerful COMP16 is a versatile, professional, 1-channel compressor in a compact 1/3-rack box. It has 16 compression presets, customized for applications like Vocals, Percussion, Fretted Instruments, and more. CLICK HERE TO BUY PreSonus |
PreSonus CSR1 Central Station Remote with Cable |
|
 |
The Central Station Remote Control (CSR-1) can be connected to the rear of the Central Station via DB9 connector to control Volume, Talkback, Mute, input source switching and speaker output switching functions. Keep the Central Station in your rack with your gear and use the CSR-1 for ultimate control and flexibility. CLICK HERE TO BUY PreSonus |