Sound Cards
M-Audio Audio Buddy Mic/Instrument PreM-Audio |
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Dual Mic Preamp with Phantom Power CLICK HERE TO BUY Affordability and Performance One of the first issues you confront when considering computer recording is the question of how to record microphone and instrument levels into your audio card. Many signals levels in your studio are too low to record, and need the help of a preamp to raise them to a level suitable for recording. The Audio Buddy is an ultra-quiet 2-channel preamp that offers the features and performance you need to track great sounding music. Improve the quality of the audio you record Inexpensive mic preamps are often included within products like mixers and soundcards. While convenient, they tend to be noisy and color your sound in an unpleasant way. What many people don't consider is the fact that the mic preamp is one of the most important links in your signal chain. If you cut corners there, your music will reflect it right away. Basic connectivity tools for home recording We created the Audio Buddy especially for computer recording. Whether you're recording vocals, guitar, or bass, the Audio Buddy will give you connectivity you need. The preamp provides phantom power for microphones that require additional power to operate. Direct Box functionality allows high impedance signals from sources such as guitars or basses recorded with optimal results. Features: - Two preamp channels with individually adjustable gain - Each channel offers one balanced XLR (Low Impedance) or one 1/4" instrument level (High impedance) input - Phantom power both microphone XLR inputs - Independent 1/4" outputs - unbalanced or balanced TRS - Super small - only 5.5" x 3.3" x 1.7" - Super quiet - the best dollar-to-noise ratio Specifications: - Frequency Response: 5hz to 50khz, +0, -3dB - Mic Gain: 60dB Max. - Mic Input Impedance: 1K Ohm - Instrument Gain: 40dB Max. - Instrument Input Impedance: 100K Ohms - Weight: Under 1/2 lb. - Power Supply: 9V AC, 300mA Click here for more info |
Tascam Gigastudio 3 OrchestraTascam |
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Now available in Orchestra, Ensemble and Solo versions, GS3 adds ReWire, VST FX, and a new GigaPiano 2. CLICK HERE TO BUY New in version 3.0: Available in three variants: Orchestra, Ensemble and Solo Unlimited Polyphony In GigaStudio 3 Orchestra, dependant on hard drive speed and computer processor speed; 160 -voice polyphony in GS3 Ensemble, 96 voices in GS3 Solo 128 MIDI channels for GS3 Orchestra Ensemble: 64 channels, Solo: 32 channels VST Plug-in support use your favorite effects in GigaStudio Rewire support GigaStudio now provides virtual MIDI and audio connections between a sequencer and GS3 24-bit/96-kHz sample support A new dimension of detail, without affecting polyphony Expanded mixer Now supports 128 channels and 32 fader groups Quick Edit By popular demand, edit real time parameters on the fly New User Interface look and feel A modern overhaul to the look of GigaStudio for improved workflow and usability Intelligent MIDI Legato, Alternation, Random modes and more Sample Recording New GSIF 2.0-compatible soundcards now support input as well as output for recording or processing directly into GigaStudio Kernel-level MIDI New MIDI input technology virtually eliminates latency and reduces jitter on the incoming MIDI data Convolution surround placement Native version of GigaPulse™ with extra channels for surround GigaPulse™ Convolution Reverb Playback-only version is included with Ensemble and Solo; GigaPulse™ Pro is included with Orchestra and offers the ability to create your own reverb impulses and add them to instruments Enhanced Capture To Wave (multi channel) Simultaneously record 8 audio streams Unlimited instrument stacking Load as many instruments as you wish on a single MIDI channel; control each of the stacked instruments parameters and even route each stacked instrument to its own audio channel Up to 128 Dimensions available for creating expressive keyswitches and crossfades Support for 8 channels of audio input and 32 channels of output any of the DSP Station's 128 channels can be made active to support input from an outside source GigaPiano 2 included with Orchestra and Ensemble (“light” version included with Solo) Vienna GigaSymphony sample library (produced by Vienna Symphonic Library) included with Orchestra [read more] GigaStudio's well-known features: Streaming samples Only GigaStudio allows you to load samples over 4GB, for the most realistic instruments possible Low latency Kernel-level processing give GigaStudio the lowest latency of any sampler 32-bit audio signal processing Sound Libraries The best sound libraries in the world are developed for GigaStudio Runs on inexpensive PC hardware Integrates with Mac sequencers with a soundcard and a MIDI jack Quicksound™ Rapid instrument searching of your hard drive Articulations Switch playing techniques by pressing a key, allows for highly authentic phrasing and performance Network streaming capability DirectSound™ compatible For full info, please see: http://www.tascam.de/en/gs3_0.html Click here for more info |
Creamware A16 External 16 channel AD/DACreamware |
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24 bit 96Khz AD/DA Converter with Z-Link CLICK HERE TO BUY The A16 Ultra is a high-quality, flexible AD/DA converter. With 16 analog inputs and outputs delivering uncompromising sound, and with two ADAT interfaces and two Z-Link interfaces for system interfacing, the A16 Ultra is outstandingly well-suited for use in all kinds of studio setup. Whether you're working with I/O cards, digital mixers or digital musical instruments - the A16 Ultra converts your digital data streams reliably and professionally to audio signals. Likewise, it brings your analog signals into the digital domain with absolute fidelity. The A16 Ultra carries on the tradition of the successful A16 converter. It offers the features that made the A16 so popular, combined with fully up-to-date technology. Technical specifications: Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels: 16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity: + 4 dBu (nominal) Maximum input level: +20 dBu (0 dBFS) Input impedance: 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level: + 4 dBu (nominal) Maximum output level: + 20 dBu (0 dBFS) Output impedance: 600 Ohm Converter performance* Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response: < +/- 0.15 dB (20 Hz - 20 kHz) Dynamic range: 110 dBA THD+N: 100 dBA typ. Channel separation: 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response: < +/- 0.1dB (20 Hz - 20 kHz) Dynamic range: 100 dBA THD+N: 95 dBA typ. Channel separation: 102 dB @ 997 Hz typ Digital inputs and outputs: ADAT: EIAJ connectors, 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors 8 channels, 24 bits, 96 kHz capable Synchronization: Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications: Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg Click here for more info |
Creamware SCOPE Project ClassicCreamware |
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Formerly known as the Pulsar II, this card is back with version 4 of the Scope Fusion platform. CLICK HERE TO BUY With 6 DSPs, SCOPE project presents more resources and more professional tools to the ambitious producer — for more tracks and powerful mixes with perfect audio quality. Or select a dazzling array of sounds and sophisticated synthesis with the Synth & Sampler Pack. SCOPE project is shipped with either the extensive Synth&Sampler Pack (p. 25) or the Mix&Master Pack (p. 20). Thus, SCOPE project adds top-class sound and flexibility to any native system — for an extremely reasonable price. NEW in Version 4.0 · now includes a large plug-in pack (Synth'n'Sampler OR Mix'n'Master Pack) · now includes the STS-4000 sampler · now includes the Modular III synthesizer Hardware Features: PCI board equipped with 6 SHARC DSPs for PC & Mac 3 different I/O options: classic: unbalanced analog (RCA), S/P-DIF (RCA), 2 × ADAT plus: balanced analog (XLR), AES/EBU (XLR), 2 × ADAT Z-Link: unbalanced analog (RCA), S/P-DIF (RCA), 1 × ADAT, 2 × Z-Link all I/Os utilizable in parallel and at the same time up to 3 boards from the SCOPE range seamlessly cascadable using the S/TDM Bus high-speed drivers for ASIO 2.0, DirectSound, MME, tripleDAT, GSIF, Sound Manager, OMS MIDI interface (in & out) Highlights: full-fledged 24/48-channel mixer for internal and external signals more than 50 exceptional effects, incl. MasterVerb high-end reverb 9 virtual synthesizers: analog, wavetable, vector synthesis and more modular synthesizer featuring more than 140 modules and 80 ready-to-play patches thousands of inspiring sounds STS-4000 professional DSP-based studio sampler live processing with no latency at all, for perfect monitoring 32-bit floating-point processing SCOPE Live Bar for convenient control of the entire setup upgradeable with all plug-ins of the SCOPE Fusion platform Click here for more info |
Creamware Scope Booster 6Creamware |
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6 DSP Booster card for Scope (includes Plug-in Pack) CLICK HERE TO BUY Click here for more info |
M-Audio Audiophile 24/96 soundcardM-Audio |
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Very popular card by m-audio features 2 in, 2 out 24bit analogue audio + digital I/O & MIDI. CLICK HERE TO BUY The M Audio range is long established in Red Submarine audio workstations, and getting studio quality audio in and out of your PC won't get easier than with the Audiophile. A no nonsense, 24 bit, 96 Khz 4 in / 4 out card, with 2 analogue in/out on phono connections, and coaxial S/PDIF. 1 midi in/out is also included. With stable, low latency drivers for all the leading sequencers (Cubase, Logic and Windows 2000/XP drivers for SONAR users) , the Audiophile is one of our favourites for home recordists who are starting out, or for those that don’t require multiple inputs and outputs. Highly recommended! Click here for more info |
M-Audio CO2 Optical/Coaxial ConvertorM-Audio |
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Converts optical S/PDIF to coax S/PDIF, and vice-versa. CLICK HERE TO BUY Today's digital studios have one inevitable problem: most gear does not have matching digital inputs and outputs. Dubbing from DAT with coaxial S/PDIF out to a CD Writer with optical S/PDIF isn't possible without a converter. CO2 is a compact but rugged S/PDIF tool that will convert S/PDIF signals from optical to coax, and from coax to optical. Its clever 2-in 2-out design passes the original input signal through to one output jack, and the converted signal to the other output jack. This enables the CO2 to be used as a converter and/or repeater! And with its revolutionary low price, you can afford to use several in your studio! Features: • Ultra-compact size: 3.5" x 2.25" x 1.2". • Converts optical S/PDIF to coax S/PDIF, and vice-versa. • May also be used as a repeater for long cable runs. • Two digital inputs: 1 Toslink (optical fiber), 1 RCA jack (coax). • Three-way switch selects operating mode. • Two digital outputs, both always active: 1 Toslink, 1 RCA jack. • Transformer-isolated RCA jacks prevent system ground loops. Click here for more info |
M-Audio Delta 10/10 in/out soundcardM-Audio |
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8 in, 8 out 24bit / 96khz analogue + digital I/O & MIDI CLICK HERE TO BUY 10 in 10 out Digital Recording Card with 19" Rack housing the connections 24-bit/96 Khz 8 in, 8 out Analogue connections on 1/4" Jacks S/PDIF Connections and Word Clock for accurate Digital Synchronisation. With stable, low latency drivers for all the leading sequencers (Cubase, Logic and Windows 2000/XP drivers for SONAR users), the 10/10 is useful if you need access to several PC audio channels in a conventional mixing desk, or have lots of outboard equipment to record to discreet tracks. Excellent! Click here for more info |
M-Audio Delta 44 4 in/out SoundcardM-Audio |
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4 in, 4 out 24 bit/96khz audio interface CLICK HERE TO BUY Another no nonsense card in the M Audio range, the Delta 44 puts 4 channels of balanced analogue (24 bit, 96 Khz) within easy reach on a breakout box. With connections via ¼" balanced jack, the Delta 44 is the first card to consider if your requirements stretch beyond basic stereo in/out. 103 dB Dynamic range Works with all available audio software including Steinberg, Emagic and Cakewalk. Click here for more info |
M-Audio Delta 66 6 in/out soundcardM-Audio |
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4 in, 4 out 24bit/96 Khz analogue audio + digital I/O CLICK HERE TO BUY 6x6 24-bit/96kHz full-duplex recording interface. • PCI Host card with external audio break-out box. • PCI card provides S/PDIF inputs and outputs on RCA jacks. • 4x4 analog break-out box accepts balanced or unbalanced connections on •1/4" TRS jacks. • Analog I/O configurable for +4dB and -10dB signal levels. • Measured D/A specs: 103dB (A-weighted) dynamic range, 0.0015% THD @ 0dBFS. • Measured A/D specs: 99dB (A-weighted) dynamic range, 0.0023% THD @ 0dBFS. • All data paths support up to 24-bit/96kHz performance • Powerful digital mixing, routing and monitoring capabilities. • Drivers for Mac, Windows, NT, Linux, and more. Works with all available audio software including Steinberg, Emagic and Cakewalk. Click here for more info |
RME HDSP 9652 Audio Interfacerme |
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Successor to the Hammerfall! 3 x ADAT optical I/O, ADAT-Sync In, SPDIF I/O, word clock I/O, 2 MIDI I/O, TotalMix mixing/routing software. CLICK HERE TO BUY HDSP 9652 is the long-awaited successor of the well-known PCI card Project Hammerfall (DIGI9652). Like the original Hammerfall, HDSP 9652 offers 3 x ADAT optical I/O, ADAT-Sync In, SPDIF I/O and word clock I/O. On top, there are 2 MIDI I/Os and TotalMix, a DSP-based real-time mixer/router. The HDSP 9652's Secure BIOS Technology allows to perform hardware updates via software/driver without any risk. And thanks to its unique 'Zero CPU Load' technology Hammerfall DSP guarantees highest performance and lowest latency on both notebooks and desktops! Hammerfall also allows to connect Analog Expansion Boards (AEB). Two internal ADAT inputs and two internal ADAT outputs allow you to realize up to 16 analog inputs and 16 analog outputs directly inside the computer. 3 x ADAT digital I/O, based on RME's reliable Bitclock PLL 1 x SPDIF digital I/O, based on RME's reliable DIGI96 technology 1 x Breakout cable for coaxial SPDIF operation 1 x Word clock I/O (BNC) on included expansion board 1 x ADAT Sync In (9-pin D-type) for sample accurate transfers 2 x MIDI I/O, 32 channels high-speed MIDI via breakout cable HDSP Meter Bridge: freely scalable level meters, peak- and RMS calculation directly in hardware TotalMix: 1456 channel mixer with 40 bit internal resolution S/MUX poured in hardware: 12 channels 96 kHz/24 bit for record and playback on ADAT optical ...and numerous other features found already in the Hammerfall series. And all this for an unbeatable price! The Hammerfall® DSP System comes with drivers for Windows 98/ME (MME with multi-client operation, ASIO 2.0, GSIF), Windows 2000/XP (full multi-client operation of MME, GSIF and ASIO 2.0) and MacOS (ASIO 2.0). Supported sample rates: 32 kHz, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable 8 buffer sizes/latencies available: 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms, 186 ms ASIO zero CPU load technology: 0 (zero!)% CPU load when using ALL 52 channels! All settings changeable in realtime Clock modes slave and master Automatic and intelligent master/slave clock control Enhanced Mixed mode: All inputs and outputs simultaneously operational Unsurpassed Bitclock PLL (audio synchronization) in ADAT® mode Enhanced Zero Latency Monitoring for latency-free submixes and perfect ASIO Direct Monitoring Comes with DIGICheck: the ultimate measurement, analysis and test tool Input 3 x optical (TOSLINK), 1 x coaxial (Cinch), 2 x MIDI, word clock (BNC) Input format SPDIF, AES/EBU (Consumer, Professional), ADAT® optical Output 3 x optical (TOSLINK), coaxial (Cinch), 2 x MIDI, word clock (BNC) Format output SPDIF, AES/EBU (Consumer/Professional), ADAT® optical Click here for more info |
RME XLR analogue cable for HDSP 9632RME |
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Optional cable for the RME HDSP 96/32; provides analogue XLR cables. Part no: BO9632-XLRMKH CLICK HERE TO BUY Click here for more info |
Creative Soundblaster Audigy SE oem cardCreative |
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5.1 compatible soundcard with 24 bit out and ASIO CLICK HERE TO BUY Manufacturer CREATIVE LABS Model SB061 Bus Type PCI Comments CREATIVE SOUNND BLASTER AUDIGY, HIGH DEFINITION 7.1 MULTI-CHANNEL AUDIO, At exceptional 24bit, 100dB, Experience mind-blowing gaming realism with 4x the processing power of the previous Creative audio processor CONNECTIONS Analogue /Digital Out Subwoofer 6 Channel SPDIF, Line In / Microphone in SPKR 1, SPKR 2, midi cable & software driver CD supplied. No Software other than divers included. Image is for illustration purposes only. Click here for more info |
M-Audio Firewire Audiophile interfaceM-Audio |
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It's the cheapest Firewire interface and it's shipping now! 2 in 4 out analogue + SPDIF + Midi In/Out . Mac & PC CLICK HERE TO BUY M-Audio, industry-leading manufacturer and distributor of hardware and software for computer-centric musicians, is proud to announce shipment of the new FireWire Audiophile interface for Windows and Macintosh computers. The FireWire Audiophile unites new technology with the best features of M-Audio's highly successful FireWire 410, Audiophile USB and Audiophile 2496 interfaces, further solidifying the company's reputation as a leader in innovative audio solutions. The FireWire Audiophile is a 4 x 6 24-bit/96kHz mobile audio/MIDI interface designed to take full advantage of the high bandwidth, ultra-low latency, and dependability of today's FireWire (IEEE 1394) protocol. Compact design, rugged steel construction, and powering via either a laptop's 6-pin FireWire bus or the included DC power supply make it ideal for DJs, live performers, and desktop or laptop recording setups. FireWire Audiophile features two analog RCA inputs and four analog RCA outputs. Coaxial digital S/PDIF I/O supports 2-channel PCM, as well as AC-3 and DTS pass-through of surround encoded material. The integrated software mixer provides ultra-low latency ASIO direct monitoring and flexible routing options. The combination of virtual aux sends on all channels and aux output assign, for example, allows for dedicated headphone mixes and sends to external effects. High-powered stereo headphone output with front-panel momentary A/B switching between two selectable sources for cueing make it the perfect fit for club and stage work. In addition to independent headphone volume, the assignable level controller allows users to adjust levels for output, input, software return or aux send right from the front panel. The 1 x 1 MIDI I/O completes the unit's functionality as a one-stop interface for computer-based musicians. Click here for more info |
M-Audio Audiophile USB audio interfaceM-Audio |
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Legendary audio interface in USB format. CLICK HERE TO BUY Audiophile USB is the affordable, no-hassle USB audio and MIDI interface for Mac and PC. The Audiophile USB builds on the success of our popular Audiophile 2496—awarded Best Soundcard by Computer Music magazine—delivering 24-bit/96k quality with great dynamic range and noise specs. That’s because it uses AC-powered components that deliver better fidelity than bus-powered circuitry. The included Mac and PC drivers let you independently scale bit depth and sample rate (up to 96k) to deliver the lowest USB latency anywhere—whether you’re on stage or in the studio. Audiophile USB Features: • Simple USB connectivity for audio and MIDI • 2 pairs of analog line-level audio inputs (1/4" unbalanced or RCA) • 2 analog line-level audio outputs (RCA) with level control knob • S/PDIF in and out (coaxial) • Support AC3 for surround sound setups • MIDI in and out • Headphone output (1/4") with level control knob • High performance 24-bit/96k ADCs (109dB dynamic range) • High performance 24-bit/96k DACs (107dB dynamic range) • Low latency • External power supply allows higher-fidelity AC-powered components • includes software drivers for ASIO 2, MME, Sound Manager and Microsoft DX Minimum System Requirements: PC: Pentium II 350 MHz with 64 MB RAM Windows 98SE, Windows ME, Windows 2000 or Windows XP Mac: G3 350, Native USB support and 64 MB RAM, Mac OS 9.x or OS 10.1 or later. Click here for more info |
Tascam CD-GT1 Guitar Phrase TrainerTascam |
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Lets you slow down CDs without changing the pitch so you can play along with your favourite artists! Price includes the optional power supply. CLICK HERE TO BUY TASCAM's CD-GT1 is the ultimate training and jamming tool for guitarists, vocalists and other musicians. Whether you're just starting out on your instrument or are a seasoned pro, the CD-GT1 offers the perfect way to learn your favorite artist's techniques. Easy to Learn and Use If you can operate a CD player, you can use the CD-GT1. Take any standard compact disc by your favorite band and put it in the CD mechanism. Then plug your guitar directly into the CD-GT1's 1/4" input. Put on some headphones, set the volume, and start rocking! If you're a vocalist, you can do the same, substituting your microphone for the guitar. Slow Down and Learn with Slow Speed Audition feature. In ancient times (like the 1970s), musicians would take a vinyl LP record and manually spin the record on a turntable, slowing it down to be able to better hear and understand the performances, like guitar solos and complex chord changes. With the CD-GT1, you get a training method that's even better. Not only can you slow down the speed of the CD by up to 50%, but you can do it without changing the pitch of the original material! After you learn the lick at a slow speed, you can increase the tempo in steps until you can match the original performance note for note! Also, you can change the pitch of the CD without changing the speed...use this feature to "tune the CD" to your guitar. Effect Yourself The CD-GT1 has 43 great-sounding built-in customizable modeling effects...you don't need to turn to external boxes for distortion, delay, chorus and more. Plus, there's a nice selection of vocal reverbs and processed sounds so you can sing along with rockers, hip-hoppers, divas and everything in between! Performance Tools You can set seamless in-out loop points with the CD-GT1...it will play the same section of music over and over again so you can focus on your playing. Use the footswitch input to start and stop the CD, or to scroll through effects. The CD-GT1 even provides a chromatic tuner so you always sound great when you play, and can run on batteries to take your show on the road. You can listen to the CD-GT1 via headphones, or use its Line Output to plug in speakers. There's never been a better or more affordable guitar/voice training tool than the CD-GT1. Get one at your TASCAM retailer and start improving your playing today! Click here for more info |
Digidesign Command 8Digidesign |
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Small-format Control Surface for Pro Tools LE and TDM Systems CLICK HERE TO BUY The new Command|8 control surface puts integrated, tactile control of Pro Tools TDM or LE systems running on Windows XP or Mac OS X at your fingertips more affordably than ever before. Through a simple USB connection, Command|8's eight bankable channels of touch-sensitive motorized faders, rotary encoders, and LCD displays enable you to control your Pro Tools system with a fully featured, intelligent control surface. As with other Digidesign control surfaces, Command|8 gives you channel strip mixing functionality along with the ability to view and edit plug-in parameters and to automate sends, pans, track volume, and mutes. Transport controls (Play, Record, etc.) are also included, complete with a footswitch jack for QuickPunch and TrackPunch in, further increasing your independence from mouse-and-keyboard-only interaction with your sessions. Command|8 also features a 1-IN/2-OUT (16 channels in/32 channels out) MIDI interface for integrating your MIDI-compatible gear into Pro Tools. Its Standalone MIDI controller mode enables you to use Command|8 with your favorite third-party MIDI applications and devices — any device or application that accepts MIDI control change messages for level, panning, solo, mute, MIDI Machine Control, and other mappable parameters. For keeping an ear or two on your mixes, Command|8 includes an onboard monitor system featuring acclaimed Focusrite audio performance and quality. It supports a Main Pro Tools Input, External source (a turntable mixer or CD player, for example) and separate speaker and headphone outputs. Along with Pro Tools TDM and LE systems, Command|8 also supports Avid products natively, including Avid Media Composer. When used with Avid products, Command|8’s controls are mapped to the Automation Gain Tool for recording dynamic volume automation as well as Solo, Mute, and Snap Mode on and off. Since it connects via USB, no additional MIDI interface is required. Better yet, when utilized in such a way, Command|8's onboard monitor system alleviates the need for an external mixer for speaker control. Due to its compact size, affordability, and compatibility with both Pro Tools TDM and LE systems, Command|8 is equally well-suited for project studios and small editing suites in commercial post or music studios. Command|8 features include: 8 touch-sensitive, motorized faders, and 8 automatable rotary encoders with LED rings; channels bankable in groups of eight Big, bright, 110-character (55 characters x 2 rows) backlit LCD display for easily viewing track and parameter information Integrated 1-IN/2-OUT MIDI interface (16 channels in, 32 out) Standalone MIDI controller mode — Easy to map controls to software or devices Flexible Focusrite onboard monitoring section Works natively with the Avid family of products' Automation Gain Tool Simple USB connection to your PC or Mac Supports both Pro Tools TDM and LE systems (independently) Compact size — Perfect for space-challenged professional and project studios May be used as additional faders in conjunction with ProControl, Control|24, or Digi 002 While there are several Pro Tools-compatible compact control surface options from third-party manufacturers, only Command|8 is made by Digidesign and Focusrite specifically for Pro Tools. As a result, Command|8 provides a great deal more sophisticated control with Pro Tools software, and has been tested and qualified specifically for Pro Tools. Pick up a Command|8 today and start giving your mixes a hand or two. Click here for more info |
Adem Flexor package for Modular IIIAdem |
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Adem Flexor plug-in package for Creamware Modular III CLICK HERE TO BUY FleXor is a powerful set of over 70 brand new and exciting modules ready to load in your CreamWare Modular Synthesizer system. The new development company Adern created FleXor to realize superb synthesis components which generate the unique and musically pleasant sounds which only a truly remarkable modular synthesizer can produce. The new features are demonstrated impressively with roughly 40 ready to use patches which are also part of the FleXor package. FleXor contains many types of synthesis modules and processors such as Oscillators, Shapers, Filters, Sequencers, Modulators, FX, Granulators and various other tools. Some highlights: Displacer, a powerful granular processing module, that slices an audio signal into 16 steps, and then plays the steps in different orders. It can make music sound backward, slowed down, sped up, time scrambled, formant twisted, cross-flammed and so on. LP-8 Butter, a deep and big sounding low-pass filter, which brings authentic analogue qualities to your Modular. LP-8 Butter is part of what is one of the most musical sounding filter collections ever assembled in the digital domain. NBL WaveDraw enables you to draw with the mouse any oscillator shape you wish. Great for biting raw digital waveforms. They remind us of those classic digital wave table synthesizers of the past with all their charming aliasing and jittering side-effects. A vast array of new Audio Shaping Tools which enable you to reshape signal characters in a new range of ways. All modules are built completely new from scratch and as a result have a very unique sound of their own. A fantastic expansion for any Modular V2 or Modular III system! Boost your modular creativity with FleXor, and stretch the boundaries of your sound like never before! Click here for more info |
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