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TL Audio 5001 Quad Valve 4-Ch PreampTL Audio |
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4 high quality mic tube preamps with 48V phantom power and front panel instrument inputs. Balanced outputs and optional 24/96 digital output. CLICK HERE TO BUY The 5001 preamp offers four top quality valve mic preamps in a single 2U package, and now boasts extra features including a discrete mic preamp stage, 30dB pad, instrument DI inputs, improved metering and optional 24 bit digital output. The 5001’s combination of sound and facilities is guaranteed to bring out the best in any microphone - from a low cost dynamic to a vintage large capsule condenser. Separate input and output level controls allow the valve stages to be driven harder if necessary for increased warmth, while still allowing the overall output level to be regulated - absolutely essential if recording direct to tape. The output fader permits anything from complete attenuation through to +15dB of extra output gain - making it ideal for driving today’s high level digital recorders. Each channel of the 5001 employs one half of an ECC83/12AX7A Sovtek dual triode valve, run from a stabilised 150V DC supply. The valve stage is positioned just after the initial discrete mic preamp stage. -------------------------------------------------------------------------------- Main Features Continuously variable input & output gain controls 48V phantom power switch 90Hz low cut filter Phase reverse switch NEW 30dB mic pad NEW Drive & Signal level LEDs assist with gain settin NEW Instrument DI inputs Balanced XLR mic input Balanced XLR line output (+4dB) duplicated on unbalanced jack connector (-10dB) NEW Optional four channel 24 bit digital output Specifications Mic Input Mic Noise (EIN): -127dBu (with 150 ohm source, 22Hz to 22kHz, max gain) Line Output (Balanced) Maximum level: +26dBu Frequency Response: 10Hz to 40kHz, +0, -1dB Power Supply Consumption 20VA typical Weights & Dimensions (19" 2U) Dimensions: 483 x 200 x 88mm Shipping Weight: 6kg Click here for more info |
TL Audio 5013 Dual Valve EqualizerTL Audio |
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Dual 4-band parametric equaliser with instrument input, two tube stages and ‘Fat’ contour. Optional 24/96 digital output. CLICK HERE TO BUY This unit without doubt possesses the finest combination of performance and affordability of any equaliser that we have yet produced. There is simply no equaliser in this price bracket to touch it: and now the 5013 features a peaking/shelving option on both LF and HF bands plus a ‘Fat’ contour switch on both channels. Like all TL Audio equipment, the interfacing options couldn't be more flexible - separate input and output level controls allow easy level matching with any other equipment, and a choice of balanced and unbalanced line inputs/outputs plus instrument DI inputs means you can get yourself up and running in seconds. Once you have experienced high quality equalisation then you won't want to record without it - so if you've always thought that your console EQ is good enough, then just try the 5013. We guarantee that there will be no going back! The 5013 employs two valve stages per channel, in the form of a Sovtek ECC83/12AX7A twin triode valve. One stage is positioned pre the EQ filters, and one is post EQ: both are run at 150V DC from a fully stabilised PSU. -------------------------------------------------------------------------------- Main Features Continuously variable input and output gain controls (-20dB to +20dB) Four bands of fully parametric equalisation per channel: LF: 30Hz to 1kHz, LM: 100Hz to 3kHz, HM: 1kHz to 12kHz, HF: 3kHz to 20kHz Each band offers 15dB of cut or boost Each band features variable Q (bandwidth) between 0.5 and 5 NEW Shelving mode available on LF and HF bands (by pulling out Q control) NEW ‘Fat’ contour switch provides a gentle LF/HF lift combined with a mid cut, for extra warmth EQ bypass switch on both channels Front panel instrument input for guitars, keyboards etc Drive and Peak LEDs - to indicate internal signal levels Balanced XLR line inputs/outputs duplicated on unbalanced jack connectors NEW Optional stereo 24 bit digital output Specifications Balanced Line Input Maximum level: +26dBu Balanced Line Outputs Maximum level: +26dBu Frequency Response: 10Hz to 40kHz, +0, -1dB Noise: -80dBu (22Hz to 22kHz) Dynamic Range: 106dB (Line input @ 0dB gain) Power Supply Consumption: 20VA typical Weights & Dimensions (19" 2U) Dimensions: 483 x 200 x 88mm Shipping Weight: 6kg (The above specifications are subject to change without notice) Click here for more info |
TL Audio 5021 Dual Valve CompressorTL Audio |
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Twin triode tubes for 2 tube stages per channel. Stereo link. Optional 24/96 digital output. CLICK HERE TO BUY Valve compression is now universally recognised as one of the essential tools for today’s recording engineer. The Ivory 5021 provides everything you would expect from a TL Audio compressor - first class audio quality, bags of flexibility and a price tag so modest you'd be forgiven for thinking it was a printing error! Now the new 5021 features hard and soft knee modes, four attack and release times, an improved optical gate design and an optional digital output. Like the C-1 compressor, the 5021 uses our own special transconductance amplifier design that avoids the use of VCAs - ensuring maximum audio transparency. So whether you’re hitting the end stops or just providing gentle dynamic control, the 5021 delivers super-smooth results every time! The 5021 employs two valve stages per channel, in the form of a Sovtek ECC83/12AX7A twin triode valve run from a stabilised 150V DC supply. One stage is in the preamp, and the other is in the gain control element of the compressor. -------------------------------------------------------------------------------- Main Features Each channel provides continuously variable control of: Input Gain, Threshold, Ratio, Gain Make-Up and Output Gain NEW Four attack times: from 'Fast' (0.5mS) to 'Slow' (40mS) NEW Four release times: from 'Fast' (40mS) to 'Slow' (4S) NEW Hard/soft knee compression modes Automatic "Hold" facility reduces LF distortion NEW Optical gate with variable control of threshold (from -10dB to 'off') ‘Bypass’ and 'Stereo link' modes Switchable VU meters provide indication of output level or gain reduction Drive and Peak LEDs to indicate internal signal levels Front panel instrument inputs Balanced XLR line inputs/outputs duplicated on unbalanced jack connectors Sidechain insert points NEW Optional 24 bit stereo digital output Specifications Balanced Line Input Maximum level: +26dBu Balanced Line Outputs Maximum level: +26dBu Frequency Response: 10Hz to 40kHz, +0, -1dB Noise: -80dBu (22Hz to 22kHz) Dynamic Range: 106dB (Line input @ 0dB gain) Power Supply Consumption: 20VA typical Weights & Dimensions (19" 2U) Dimensions: 483 x 200 x 88mm Shipping Weight: 6kg (The above specifications are subject to change without notice) Click here for more info |
TL Audio 5050 Mono Valve Preamp / CompTL Audio |
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Mono mic preamp with instrument input and 2 tube stages. Compressor with continuously variable threshold, ratio and makeup. Optional 24/96 digital output. CLICK HERE TO BUY The Ivory 5050 came directly from user requests for a simple yet great sounding valve front end and boasts the winning combination of a mic/line/instrument preamp and mono compressor: making it the most cost-effective way of processing your sources. The new 5050 now features extras including a 30dB pad, hard/soft knee compression modes, a fully balanced line output and an optional digital output. The 5050 features two valve stages, one in the preamp circuit, and one in the gain control element of the compressor. These Sovtek valve stages are run from a stabilised 150V DC power supply. So whether it's your best microphone, your vintage Strat or your latest sample, don't trust it with anything less than the TL Audio 5050. -------------------------------------------------------------------------------- Main Features NEW Preamp stage provides variable Input Gain, +48V, 90Hz filter and 30dB pad Compressor section with control of Threshold, Ratio, Gain Make-Up and Bypass Attack time switchable between 'Fast' (0.5mS) and 'Slow' (20mS) Release time switchable between 'Fast' (40mS) and 'Slow' (2S) Automatic "Hold" facility reduces LF compressor distortion NEW Hard/soft knee compression modes Output fader permits complete attenuation through to +15dB of extra output gain Two 8 segment LED meters provide indication of output level & gain reduction Front panel instrument DI input Balanced XLR mic input NEW Balanced line input/output on jack connectors NEW Optional 24 bit digital output Specifications Mic Input Mic Noise (EIN): -127dBu (150 ohm source, 22Hz to 22kHz) Balanced Line Input Maximum level: +26dBu Balanced Line Output Maximum level: +26dBu Frequency Response: 10Hz to 40kHz, +0, -1dB Noise: -80dBu (22Hz to 22kHz) Dynamic Range: 100dB (Line input @ 0dB gain) Power Supply Consumption: 20VA Weights & Dimensions (19" 2U) Dimensions: 483 x 200 x 88mm Shipping Weight: 6kg (The above specifications are subject to change without notice) Click here for more info |
TL Audio 5051 Mono Valve ProcessorTL Audio |
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Preamp, compressor, EQ and optical gate. 6 valve stages. Flexible EQ and compressor routing. Front panel instrument input. Optional 24/96 digital output. CLICK HERE TO BUY The single channel voice processor format has become the accepted way of getting the most out of any sound source. The 5051 provides the perfect front end for any system by offering a combined preamp, compressor, equaliser and noise gate all in one easy-to-use package: now with an optional digital output. The 5051 compressor section is identical to that of the 5021 and includes hard/soft knee modes, and the four band equaliser section is modelled on that of the legendary TL Audio EQ-1 - yielding superb results instantly, with an improved optical gate for removing unwanted source noise. So whatever your source, let the 5051 unlock its true potential! The 5051 features no less than six valve stages, supplied by three twin triode ECC83/12AX7A valves running from a stabilised 150V DC power supply. One valve stage is located in the preamp, one in the compressor gain control circuit, and four in the equaliser section. -------------------------------------------------------------------------------- Main Features NEW Preamp stage provides Input Gain, 48V, 90Hz filter and 30dB pad Compressor section with control of: Threshold, Ratio, Gain Make-Up and Output Gain NEW Hard/soft knee compression modes Four switchable Attack times from 'Fast' (0.5mS) through to 'Slow' (40mS) Four switchable Release times from 'Fast' (40mS) through to 'Slow' (4S) NEW Optical gate with variable control of Threshold (from -10dB to 'off') Switchable VU metering of input level, output level or gain reduction Drive and Peak LEDs to indicate internal signal level Front panel instrument input (for guitar, keyboard etc) Balanced XLR mic input LF EQ band gives ± 12dB shelving at 60Hz, 120Hz, 250Hz or 500Hz (12dB/octave) LM EQ band gives ±12dB peaking at 250Hz, 500Hz, 1kHz or 2.2kHz (Q=0.5) HM EQ band gives ±12dB peaking at 1.5kHz, 2.2kHz, 3.6kHz or 5kHz (Q=0.5) HF EQ band gives ±12dB shelving at 2.2kHz, 5kHz, 8kHz or 12kHz (12dB/octave) 'EQ Pre' switch allows the EQ section to be placed ahead of the compressor section 'Link' switch allows two 5051s to be connected for stereo operation Balanced XLR line input/output duplicated on unbalanced jack connectors Sidechain insert point NEW Optional 24 bit digital output Specifications Mic Input Mic Noise (EIN): -127dBu (150 ohm source, 22Hz to 22kHz) Line Input (Balanced) Maximum level: +26dBu Line Output (Balanced) Maximum level: +26dBu Frequency Response: 10Hz to 40kHz, +0, -1dB Noise: -80dBu (22Hz to 22kHz) Dynamic Range: 106dB Power Supply Consumption: 20VA typical Weights & Dimensions (19" 2U) Dimensions: 483 x 200 x 88mm Shipping Weight: 6kg (The above specifications are subject to change without notice) Click here for more info |
TL Audio 5060 Stereo Valve Comp/Mic PreTL Audio |
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Stereo compressor with 15 presets and manual mode. Single channel valve preamp stage for mic and line input. Optional 24/96 digital output. CLICK HERE TO BUY The TL Audio 5060 is the latest product to join the acclaimed Ivory 2 series. Using the same high quality discrete microphone preamp as other Ivory 2 products the 5060 also has stereo line level or stereo instrument inputs. The 5060 is equally versatile as a “front-end” tracking device or as the final stage mixdown or mastering compressor. One set of controls operates both the channels for quick and easy setup. The compressor section has 15 expertly programmed presets designed to work with a typical selection of vocal and instrumental sources as well as a manual mode for self adjustment of the compressor. The output section includes a “Fat EQ” switch for adding some “presence” or “weight” to your signal. As with all the mono or stereo Ivory 2 units it is possible to fit the optional D0-2 converter card into the 5060 for premium quality 24-bit SPDIF analogue to digital conversion. This allows you to connect to your Hard Disc Recorder, Mixer or Soundcard in either an analogue or digital format. The combination of flexibility, ease of use and the renowned warmth of the TL Audio valve circuit design makes the 5060 unbeatable for value and performance. -------------------------------------------------------------------------------- Main Features Valve preamp stage with mic, line and front panel instrument inputs Compressor with 15 presets and a manual mode with user adjustable controls Hi-pass 90Hz filter on the input stage with “Fat EQ” contour at the output stage VU metering of output level, output level +10dB and compressor gain reduction One set of controls for mono or stereo use Automatic linking for stereo signals 24-bit digital interfacing via the optional DO-2 digital output card Specifications Preamp Input Gain +16 to +60dB (mic input), -20 to +20dB (line input) Compressor Threshold: +10 to –20dB Ratio: 1:1.5 to 1:30 Attack: 0.5 or 5ms Release: 0.2 or 1.5s Gain Make Up: 0 to +20dB Fat EQ +2dB @ 50Hz -0.9dB @ 720Hz +1.8dB @ 10kHz Master Section Output Gain: -• to +15dB PSU Internally adjustable for 230V 50Hz or 115V 60Hz operation Typical Consumption: 30VA Dimensions W: 483 x H: 88 x D: 200mm (2U 19" rack mounting) Shipping Weight 6kg Click here for more info |
TL Audio M1 TubeTracker 8-Ch Valve MixerTL Audio |
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The M1 enables you to capture that acclaimed warm, smooth and clean TL Audio sound at the lowest price point ever achieved on one of our desks! A perfect front end to any digital recording set up. CLICK HERE TO BUY We have by no means compromised on quality to do this though. The M1offers you quality valve mic preamps on each channel, 3 band musical EQ with sweepable mid on each channel, 2 auxillary sends per channel as well as effects returns and alternate monitoring options! It has been designed to maximise today’s recording techniques, with the addition of an optional ADAT interface for easy digital connection to your recording device and software. It makes the perfect front end to any digital recording set up, taking away that ‘clinical, sterile’ sound whilst adding warmth and depth to your recordings – giving you the sound that you have been longing for. The M1 Tubetracker is compact in size and features all its connectors on the back of the top panel for easy connectivity and quick cable changes! Available in 8 and 12 channel options the M1 combines that classic valve sound with modern functionality. Features: A classic mixer designed to encapsulate that highly sought after vintage analogue sound enabling you to maximize todays production techniques. 8 input channels versions each with valve pre-amps 8 Channel ADAT interface options via TL Audio DO-8 card 24 bit 96kHz mix output option 100mm K Series faders Three band equalisers with sweepable mid and bypass Balanced Inserts, Sends, and Returns Two auxiliary sends selectable pre/post Channel mute and pfl Studio monitoring Levels switchable +4 or -10 dBu Stereo VU metering Compatible with all DAWs Solid oiled oak armrest and side cheeks Compact size and easy-reach interconnects on top panel Click here for more info |
TL Audio M1 TubeTracker 12Ch Valve MixerTL Audio |
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The M1 enables you to capture that acclaimed warm, smooth and clean TL Audio sound at the lowest price point ever achieved on one of our desks! A perfect front end to any digital recording set up. CLICK HERE TO BUY We have by no means compromised on quality to do this though. The M1offers you quality valve mic preamps on each channel, 3 band musical EQ with sweepable mid on each channel, 2 auxillary sends per channel as well as effects returns and alternate monitoring options! It has been designed to maximise today’s recording techniques, with the addition of an optional ADAT interface for easy digital connection to your recording device and software. It makes the perfect front end to any digital recording set up, taking away that ‘clinical, sterile’ sound whilst adding warmth and depth to your recordings – giving you the sound that you have been longing for. The M1 Tubetracker is compact in size and features all its connectors on the back of the top panel for easy connectivity and quick cable changes! Available in 8 and 12 channel options the M1 combines that classic valve sound with modern functionality. Features: A classic mixer designed to encapsulate that highly sought after vintage analogue sound enabling you to maximize todays production techniques. 12 input channels versions each with valve pre-amps 8 Channel ADAT interface options via TL Audio DO-8 card 24 bit 96kHz mix output option 100mm K Series faders Three band equalisers with sweepable mid and bypass Balanced Inserts, Sends, and Returns Two auxiliary sends selectable pre/post Channel mute and pfl Studio monitoring Levels switchable +4 or -10 dBu Stereo VU metering Compatible with all DAWs Solid oiled oak armrest and side cheeks Compact size and easy-reach interconnects on top panel Click here for more info |
TL Audio DO-8 ADAT A/D Card for M1Other |
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24 Bit / 96 KHz 8-Channel digital I/O for the TL Audio M1 TubeTracker CLICK HERE TO BUY Click here for more info |
TL Audio DO-2 S/PDIF A/D Card for IvoryTL Audio |
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24 Bit / 96 Khz digital output card for Ivory 2 and Fatman series outboard. S/PDIF coaxial output and Word Clock input. CLICK HERE TO BUY Click here for more info |
TL Audio Fatfones Reference EarphonesTL Audio |
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Combining cool design with professional audio technology, the Fatman FatFones will enable you to enjoy extended musical pleasure without damaging your hearing! CLICK HERE TO BUY Continuous listening to loud music is dangerous and can damage your ears beyond repair. As your ears are so precious, we at Fatman want to help you to look after them – so you can enjoy ‘Fat’ sounds for life. The Fatman FatFones utilise technology first developed by audiologists for the in-ear monitoring of musicians and Formula One drivers. The unique Fatfone earpieces are designed to fit your ears anatomically correctly. This means that they effectively block out background noise such as planes, trains and traffic and deliver the sound closer to your eardrum thus enabling you to enjoy the same apparent sound levels at decreased volumes. This protects your ears and demonstrably reduces the risk of damaged hearing. Apart from audiological and safety benefits of the Fatman FatFones, the fit is so comfortable and snug, it ensures that users’ earpieces stay put, enabling wear during any activity – from jogging and off road cycling to simply walking to work. The earpieces come in three sizes and research has shown they will fit 99% of people comfortably. FEATURES Professional, audiologist designed earpieces that cancel out unwanted background noise and enable you to achieve fat sound at low volumes The ability to monitor at lower volumes protects your hearing and conserves battery life on media players Great clarity of sound and extended bass response Snug fit ensures the earphones will not fall out – even during sports activities Developed using the technology used in professional in-ear monitoring systems Open air dynamic type earphones (16mm Dia.) Impedence: 28 ohms Frequency response: 10Hz – 20kHz Sensitivity: 105 dB (at 1kHz 1mW input) Rated input: 2mW Maximum input: 10mW 3.5mm gold plated stereo jack Total weight : 18g Click here for more info |
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